music

Music as process notation

Music notation defines a choreographed sequence of musical actions to produce a desired physical result, the performance of the piece. The similarities with general process description are plenty but speculative. Instruments/staff lines correspond to roles. Notes correspond to sequential actions performed by each instrument, with its precise occurence and duration in the execution. Same for non-action, rest. The binary subdivision of time is a feature of musical notation and could prove very convenient for expressing more granular process timing. Music notation supports the concept of looping or iterating (via sectioning and those double dots) and of branching (D.C. al Coda). Music notation does not include interactivity with the performance-time output, process description does not provide for such interactivity either.

The natural groove

We (humans) use many expressions in our everyday life related to rhythm:
"Miss a beat"
"Find my rhythm"
"Go at your own pace"
"Get into the groove" ;-)

In my experience, I've noticed that external events can happen either on the beat or the off-beat. Which beat you ask? Well, take a conversation between two people for example. When we speak, we do so at a certain pace, which immediately implies a beat (and associated off-beat). If I want to interrupt you while you're talking, I should choose an opportune moment where you'll be least likely to react in time to continue talking, which is on the off-beat of your speech. There are classic movie moments that illustrate this phenomenon:

Intel jingle

Music is a great mnemonic tool to establish mind share. Technology companies have been using it successfully: the Nokia ring tones, the Microsoft Windows startup and shutdown tunes and the Intel Inside jingle have become almost universally recognizable.

It is a creative challenge to devise a short (~5 secs) musical sequence that has a strong enough individuality to be remembered and associated with a brand. As an amateur musician and professional software developer, I am interested to find the logic/art behind these jingles, so I looked for a transcription of existing ones. Here's what we found:

Music festival web site pattern

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I attempt to document common practices for designing a music festival web site for an upcoming job:

Most festival sites use standard CMS layouting: header, footer, side menus, and main content.

HEADER:
* Schedule
* Artists (aka Line Up)
Artists pages contain a brief write-up on each band, a photo, a link to their schedule during the event and an external link to their site.
* Map (aka Getting There)
* Tickets

MAIN BLOCK:
The main block is typically a photo rotator displaying artists' photos with their names, or a photo collage of previous gigs. Below are news items concerning the festival.

S.O.S. Music Festival Sep 15th, 2006

We attended the SOS Music Festival yesteday at the Chinese Garden on the Cairo International Conference Center grounds. The name chosen for the all-day, 8-bands affair reflects the opinion, shared by many Egyptians, that low-quality pop music has monopolized Egyptian airwaves, leaving nothing to the real musicians. This festival was an attempt at saving the music.

And saving it did! All the factors that make attending open-air music festivals enjoyable were there. The location is a huge garden with a big grass field, probably donated by the Chinese government, that comfortably accepted the 2000-3000 attendees. Once inside, past what looked like decent security gates, we immediately felt transported to an alternate and sorely-missed Egypt. One where you can stroll around freely, lay on the grass, enjoy the nice weather and relax to the music. Without being subjected to scolding or lustful stares, authoritarian treatment, or flea-market swindles. The crowd, mostly university students, were there for the music and the good time. Since no alcohol was allowed, there were no fights or the typical weird vibes. I did not smell too much drugs either :-)

Information in pop music

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What songs mention information? Mostly those written by intelligent songwriters, as we will discover:

  • Too Much Information, by The Police - Ghost in the Machine (1981)

    Too much information running through my brain
    Too much information driving me insane
    I've seen the whole world six times over
    Sea of Japan to the Cliffs of Dover

  • Information Overload, by Living Colour - Time's Up (1990)

    Sometimes I feel
    Like my mind will explode
    Sometimes I feel
    Like I've got no control
    Sometimes I wish
    I had a heart made of steel
    Sometimes I wish
    I couldn't feel

    Information overload
    Information overload
    Information overload
    Information overload

    They say the future...it's on a microchip
    Don't you know we're all on a sinking ship
    Only ten percent control all the rest
    Only ten percent decide what is best

Fairness and P2P music exchange

The issue of fairness in P2P music exchange is complicated. On one hand, it is universally accepted that the traditional business model of music labels is not compatible with the Internet. It is also universally suspected that it does not properly retribute the artists, and that it leads to over-priced products.

On the other hand, free-rolling file sharing completely bypasses both middleman and artist to let listeners find their music online, free of charge. The businessmen are fuming. But it is useful to remember that recorded music was originally intended as *promotional* material for the actual live performances, before the record made centerstage and the big-business marketing machine started manufacturing hits for profit.

Trojan-style music marketing on P2P

I was practicing my daily piracy routine, downloading the new Strokes album. On aMule, I found a .rar file called The Strokes - First Impressions of Earth (complete + bonus) with many sources and a decent-looking size. "Great!" I told myself and happily selected it. When I extracted the package a few hours later, the Strokes album was there alongside with the full album of a band I'd never heard about, The Honkers - Roll Up Your Sleeves And Help Us Rock Up This Honker World, which turned out to be a punk band from Brazil.

You mean there's something else?

- I'd like you to listen to something. Do you mind music that can sometimes be off-scale, off-tempo and technically shaky?
- Sure, I can get into rock.

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